Thursday, November 29, 2007

It Is What It Is

Once again Lauren spotted Lori standing in front of that painting. Lauren slid up behind Lori, wrapping her arms around Lori’s waist, planting her chin on Lori’s shoulders and trying to break through the reverie she imagined must be going on in Lori’s head. How could she stand and stare at this painting for hours?

Over and over again, Lauren fights to understand what Lori sees in the painting. The mystery has made her wary and sometimes weary.
Lauren shook off the doubts, leaned in closer and whispered into Lori’s ear, “darling.”

Not a muscle did Lori move. She barely took a breath. Lori stood stock still, cemented to the spot by some magical glue. Lauren kept hold of Lori’s waist as though to further anchor her to the spot. It seemed the thing to do, the only option available. Lauren looked at the painting summoning whatever data she’d gleaned from the Art History class taken so long ago. What is in this frame that is holding sweet, dear Lori hostage?

Lauren didn’t see it, couldn’t feel it. All she felt was confusion and overwhelming love for Lori. “Darling, what is it that you see. What are you feeling?”

A crowd began to form in the tiny gallery. Lauren, feeling self-conscious, began to fidget. “Baby, I think we should be moving on” she whispers to Lori. Lori became rigid, a statue staring at a painting. If it weren’t so nerve twisting Lauren would find it all somewhat comical. Lauren didn’t think she’d be able to stand here much longer, yet she clung even tighter to Lori’s waist trying to move her by sheer force of will. Still, Lori stood, staring.

Minutes felt like hours. Lauren began to feel swarmed by the crowd. It felt like she and Lori were on exhibit. It felt like the floor was shifting, the walls closing in, the air thinning. Lauren began to feel ill. One last plea went ignored like the others. Lauren was beside herself. She didn’t know what else to do. Lori was just transfixed and oblivious to everyone and everything but the painting. That stupid looking head with the freakishly weird expression and that nonsensical landscape has kidnapped her girlfriend. It was clear, Lori needed to be rescued.

How? What to do?

Lauren needed to regain her composure if she was going to rescue Lori. She was going to need all her wits to get them out of this pickle. She was going to……”Lori?” Lauren felt Lori move and then move again. The movements became quite herky jerky. Seconds before the sound emitted from Lori’s throat, Lauren knew she was laughing. Lori’s laughter had the swarming crowd receding, the floor settling and the walls returning to their posts. Lori’s laughter soothed the room.

Lori turned to face the love of her life, her eyes sparkling and her smile bright and asked between giggles, “have you seen that foot coming out of the head of that soldier? Isn’t that hilarious?”

November Wordsmiths exercise.

9 comments:

  1. Wow, love the character names.

    Great tension building - great resolution. Nice piece.

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  2. Nicely done Only! Great detail in such a short piece!

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  3. Well, now. I liked the sharp left turn at the end. It took me by surprise.

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  4. Nicely done, imageric and tactile and abstract all at once. I wanna follow them home and see that they have for dinner.

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  5. Anonymous5:14 PM

    nice. I love the trick ending. Poor Lauren.

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  6. Heh. You had me going on that supernatural bent, thinking that the painting had literally turned Lori into a statue, and that, by holding fast to her waist, Lauren would then soon become one as well, and there, in that macabre, eveil little museum, they would learn 1) how the museum got its art pieces and, 2) what it felt like to be forever on display.

    But no, Lori's just a clown. ;^)

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  7. Oops! I meant to add that your story flowed and read easily. Lauren's internal dialogue relayed her fear and discomfort very well.

    Yuo spel gud, two.

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  8. Tension, yes! Jeepers! I got thrown a little by the changing tenses, but that's probably because I'm a moron.

    It's amazing to me the vastly different takes we're all having in our stories. I never EVER would have thought to go here with this one.

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  9. I like the ending. It kinda says "I like it, but is it art?" All that attention and energy, and the surreal escapes her (as it does me.)

    I disagree with the names, too similar and they confused me. Also the tense shifts don't seem intentional. Call me anal, but this is big issue with me, especially in shorter pieces. It's a difficult tool to use even by the most accomplished writers, and it's the first thing I look for in my writing, not always with success.

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